Emile Gaillard, the Banker

The rep­res­ent­ative in Paris of the family bank based in Grenoble, Émile Gaillard was also a col­lector, with a par­ticular passion for the art of the fif­teenth and six­teenth cen­turies. He was Chopin’s favourite pupil: Chopin com­posed a piece for him. He was a man who liked enter­taining and in 1885, to inaug­urate his mansion house, he gave one of the most lavish parties seen in Paris at the time.

 

The builder of the Hôtel Gaillard, the mansion that will house the Cité de l’Économie et de la Monnaie, was a remarkable character.

Born into a family of the Grenoble haute bour­geoisie, Émile Gaillard was the grandson of Théodore François Gaillard, founder of a bank in the second half of the eight­eenth century, and the son of Théodore Eugène Gaillard, mayor of Grenoble (18581865).

Emille Gaillard - Portrait

As the rep­res­ent­ative in Paris of the family bank, Émile Gaillard rubbed shoulders with the great bankers of his time (Pereire, for example). His banking activ­ities were eclectic: for example, he con­tributed to the fin­ancing of the railways, managed the property of the Count of Chambord, and estab­lished con­tract with Victor Hugo.

Émile Gaillard had highly developed artistic tastes. In his youth, he was a pupil of Chopin; according to several sources, he was his best pupil. Chopin ded­icated a mazurka to him. He himself com­posed several pieces for piano.

Above all, he was fas­cinated by medieval and Renais­sance art. Over the years, he built up a con­sid­erable col­lection of fur­niture, dec­or­ative objects, tapestries and other works of art from this period. With his res­idence in rue Daru becoming too small to accom­modate his col­lection, in 1878 he decided to buy a piece of land on the Plaine Monceau, where most building activity was taking place. The con­struction of a mansion house, whose archi­tecture was inspired par­tic­u­larly by the Louis the 12’s wing of the Château of Blois, provided him with the perfect decor for his collection.

The inaug­ur­ation of his mansion in 1885 was marked by a lavish party, reported by the press of the time, at which the Gaillard family received their guests dressed in cos­tumes from the time of Henri II. Émile Gaillard was however rather dis­creet in tem­perament and gen­erally he only wel­comed into his mansion a small number of intimate friends and enlightened art lovers.

He had five children (three daughters and two sons) with his wife, Amélie Vassal. He died in 1902.

After his death, the family bank was sold to the Crédit Lyo­nnais by his heirs and most of his col­lection was dis­posed of: a big auction was held in June 1904. The Hôtel Gaillard, which was also put on sale in 1904, only found a buyer in 1919, with its acquis­ition by the Banque de France with the intention of turning it into one of its branches.

 

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Chopin - Mazurka “À Émile Gaillard”

There was a chance that it would remain a manu­script ded­icated as a souvenir, but in 1841 it was pub­lished (Émile Gaillard was a pupil of Chopin and became his friend; he held the com­poser in very high regard). This work was even assigned the number Opus 43, albeit by mistake as the Tar­en­tella already had this number. This mazurka will be known to pos­terity by the name of the person it was ded­icated to, i.e. the Mazurka “À Émile Gaillard”. Filled with nos­talgia, this mazurka, which has a fine section in octaves, ends in a very ori­ginal way on a long trill. (Source : Pianart)

Mazurka, en la mineur, pour piano “Émile Gaillard” Op.Posth. No.2 - Chris Breemer

(Source : Piano Society)

PDF - 543.7 kb
Mazurkas en la mineur - Partition - “Notre temps” - “A Émile Gaillard”

(Source : Can­torion)

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